Rhizomatic musical progressions and other questions on Spanish contemporary popular music: Proyecto Claroscuros Trilogía Volumen 1 de 3
Keywords:
Music, flamenco, blues, musical hybridisation, contemporary music, spanish pop artSynopsis
This book is one of the three that make up the trilogy on Cultural Studies of Spanish contemporary pop art of the Claroscuros project of the University of Malaga. It explores the music circulating in Spain, with special emphasis on the music circulating in Andalusia and the processes of fusion and hybridisation between flamenco, blues and the derivations to which both styles have given rise (jazz, pop, rock, hip hop, raguetón, etc.). Other elements that make up the musical universe as a whole are also considered, such as dance, literature, poetry and theatre, costumes, pedagogy, landscape, history and the original and later globalised and glocalised societies that contain and produce musical manifestations and performativities.
Chapters
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Preface: On the reason for this title and its contradictions
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Preliminary methodological considerations and research results of the Cultural Studies of Spanish contemporary pop art project Claroscuros
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Flamenco and purity: a question of exquisiteness
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Claves expresivas de la modernidad literaria: Memoria y flamenco en las obras de Caballero Bonald y Fernando Quiñones
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Stage hybridisation: flamenco, poetry and theatre... a multidisciplinary dialogue
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Interchapter. Alambicando flamenco and blues
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Flamenco pedagogy in the United States
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Artists, comedians and flamenco
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Malaga Blues Society
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From Plantation to Ghetto: A Journey through the History of the Blues
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Bluesiana and other mixed-race areas. The long road home
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The North Face in Madrid hip hopTheoretical and methodological notes of an ongoing research project.
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Experimental essay. Flamenco canonical and progressive flamenco in the 21st century.
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